Karakuri Circus

Narumi Katou is a middle-aged man who suffers from the bizarre ZONAPHA Syndrome: a rare and inexplicable disease that causes its victims to endure severe seizures at random, with the only cure being to watch someone laugh. One day, during Narumi's part time job, a young boy with a giant suitcase fleeing from three adults runs into him. The boy introduces himself as Masaru Saiga, the new owner of the famous Saiga Enterprises following his father's recent death. However, other of his family are trying to assassinate him and claim the fortune for themselves.

Determined to save the child, Narumi helps Masaru escape and ends up fighting the pursuers, only to discover that they are sentient humanoid puppets with superhuman strength. As Narumi is about to lose, a white-haired girl suddenly s the fray and swiftly summons yet another puppet from the boy's suitcase, claiming herself to be Shirogane, Masaru's guardian.

Karakuri Circus follows three people from different backgrounds whose fates intertwine and diverge as they unravel the mysteries of an ancient tale of love and betrayal, and the long, ancient battle between humans and puppets.

[Written by MAL Rewrite]

Katou, Narumi Main

Koyama, Rikiya Japanese

Saiga, Shirogane Main

Hayashibara, Megumi Japanese

Saiga, Masaru Main

Ueda, Chihiro Japanese

Rech, Guy Christophe ing

Sasaki, Nozomu Japanese

Columbine ing

Yuuki, Aoi Japanese

Pantalone ing

Nakata, Jouji Japanese

Arlecchino ing

Fukuyama, Jun Japanese

Francine ing

Hayashibara, Megumi Japanese

Ashihana, Eiryou ing

Sakurai, Takahiro Japanese

Bai, Jin ing

Furukawa, Toshio Japanese

Maruyama, Masao Producer

Mita, Keiji Producer

Aoki, Makoto Producer

Nishimura, Satoshi Director

Reviews

Jun 27, 2019

7point8outof10

Recommended

I would like to preface this review by saying that I have yet to read the Karakuri Circus manga, so I will be discussing the show on its own merits, rather than comparing it to the manga. That said, there are lots of elements to Karakuri Circus that make it clear that it cut out a lot of stuff from the manga. This anime serves as a case study as to what happens when you adapt a great manga (or, at least, I assume it’s great based on what I’ve seen of the anime) from 42 volumes into 36 episodes. As you might imagine, the ... result is a bit messy.

If I were to choose two adjectives to describe Karakuri Circus, I would go with “creative” but “rushed”. The plot is full of all sorts of brilliant and entertaining ideas, but it breezes through them so quickly that few of them really hit you with the impact they deserve. This also applies to the characters of the show. This show has an enormous cast, but few of them get enough screen time. To the show’s credit, there are still many great ideas, moments and characters, but if either there was a greater number of episodes, or the focus of the 36 episodes we do have was more narrowed, then these would’ve been more effective as a result of being more thoroughly developed.

The circus motif of the series is going to be hit or miss depending on your personal tastes, but I for one think it’s great. Karakuri Circus does a great job capitalizing on different elements of the circus, creating lots of unique and entertaining puppets to be fought throughout the series. The way they twist the joyful and comedic look of the circus into something much more abhorrent is very well done. If you are afraid of clowns, then these designs will definitely add to the atmosphere of the series.

These designs, as well as the varied abilities of the puppets make the fights pretty entertaining. These fights are usually quite simple, but usually have an emotionally resonant idea or important stakes in the plot that comes with them. There is also always a tangible sense of tension once it becomes clear that this series isn’t afraid to kill off its characters. In many cases, however, these things feel like they could’ve hit harder if the characters involved had received more development, and things start to feel formulaic after a while. The animation is also pretty underwhelming.

The character deaths feel particularly formulaic (with exceptions). This is perhaps where the incredibly fast-paced nature of the show hurts it the most. Because of this pace, character deaths happen so frequently that the deaths of minor characters don’t have the impact they ought to, and the more major deaths feel less shocking (though they still hit pretty hard).

In of presentation, Karakuri Circus is pretty solid. As I said earlier, it has underwhelming animation, but it is still pretty nice, visually speaking, as a result of the puppet designs and the classic ‘90s aesthetic. As for the audio side of things, the BGM is pretty darn great, as are the opening and ending themes, and the voice actors do a nice job at conveying their characters.

The most recurring theme throughout the series is that of smiling (and, by extension, laughter). While this may sound pretty cliché, it fits the series rather well, in large part due to the circus motif. After all, the point of the circus is to make people smile. This idea is twisted and perverted by the villains of the series, adding a lot more to this theme than you might expect. While it certainly also indulges in the cliché elements of this theme, the accompaniment of this dark parallel makes these moments feel richer. I can certainly say that this theme, and the show in general, succeeded in making me smile.

Most of Karakuri Circus’ problems seem to come from how rushed it is. It oozes creativity and heart, but so much of it feels as though it could’ve been executed a lot better had it been given more episodes. I have yet to read the manga, so I am hesitant to recommend it, but I will say this: if the manga is truly like the anime but with a much slower pace, then I am reasonably confident that it will be an excellent read.

So, should you watch Karakuri Circus? I would say that it depends on how interested you are in the series. If a battle shounen between mechanical puppets with a strong circus motif interests you enough that you are convinced it is worth your time, you should probably read the manga instead. However, if you are somewhat interested, but think that a 42-volume manga is too big of a commitment, then you should definitely check out the anime! Who knows? Perhaps you will like it enough that you will be convinced to read the manga? I certainly plan on reading it.

Reviewer’s Rating: 7

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Jun 27, 2019

Stark700

Mixed Feelings

Over the past decade since I’ve been reading manga, there’s one author that I always felt underappreciated. Kazuhiro Fujita is the manga artist responsible for works such as Ushio and Tora and Moonlight Act. It’s not his first rodeo of having an anime adaptation. Ushio and Tora got the treatment of a 3-cour show (with a split break) based on his manga. Both series ran a large chunk of chapters before their conclusion. Karakuri Circus takes place in modern Japan focusing on a young boy named Masaru Saiga.

The story itself contains elements of action and dark fantasy while the plot revolves with three protagonists. ... Masaru, Narumi, and Shirogane may all have different personalities but their roles are all pivotal for the integrity of the plot. Masaru’s inheritance from his family paints a target on his back as people are after his money. Narumi and Shirogane saves Masaru from death but also begins a complicated story as their lives changes forever. Make no mistake, Karakuri Circus is actually more complex as it seems on the surface. My original impression of Karakuri Circus felt like the anime managed to do what it could do to get the story flowing. However, several episodes in the early stages begin showing red flags.

To put it bluntly, this anime adaptation went way over the speed limit in the beginning. It’s incredibly rushed and skipping many chapters to get to certain plot elements. Just for statistical references, the first four or so episodes adapted at least 25+ chapters. With 43 volumes, this didn’t come to me as a complete surprise. The staff probably wanted to cover the entire manga but by doing so, it also damages the original product as a whole. This glaring red flag told me that Karakuri Circus is a victim of modern day adaptations. What got me curious is why the show didn’t receive more episodes in the first place. Perhaps a split double cour could even remedy this a little but instead, we get a continuous triple cour of 36 episodes. If you think about it, that’s almost 11 chapters per episode if we go with the flow. Luckily, the anime doesn’t exactly go with such numbers but it still suffers from omission. As a fan of the manga, I’m rather dumbfounded.

Onto the actual plot, Karakuri Circus seems to have a vision to dive deep into its background story. Events in the past heavily influences the present timeline with characters such as Shirogane based on past incarnations. What began 200 years ago has made powerful impact in the present story. However, the first few episodes didn’t follow such format. Instead, it focused more on our three protagonists attempting to live a normal life. Despite that, fate has linked them together with the past that’s practically inescapable. As more episodes progressed, there’s a so much revealed that it’s hard to take in all at once. This the second red flag of the anime. How can viewers be invested in so much content going on at once? Now, I do get that Karakuri Circus relies on character decisions. Some of these are so important that they change the outcome of the story. But really, it feels that the story goes into many directions rather than being focused in one direction. Unfortunately, that’s not all the problems it suffers.

When it comes to characters, the cast itself begins to show weakness. Now on the surface, I do like our main characters. Masaru, Narumi, and Shirogane shares a unique bond together that’s hard to overlook in the beginning. There’s hints of deeper feelings between Narumi and Shirogane while Masaru and Shirogane also develops a close bond. The main problem though lies with its commitment to the characters. We are shown many flashbacks throughout the show that sometimes makes me forget our main characters. The first few episodes made me invest a lot into them but by the time half this show aired, that interest has greatly degenerated. That is, I don’t want to say the characters in the past are not important. On the contrary, they play huge roles such as the case with Francine, the Bai brothers, and of the Saiga family. Two characters of the past also greatly resemble our main characters – Francine/Shirogane and Narumi/Bai Yin. There’s also emotional value poured into the relationships between certain characters. But as the more I watched the show, the more I felt detached with them. I wanted the anime to just be more focused in one direction and not jump back and forth between every episode. That seems a bit too much to ask because the anime adaptation had other ideas.

But still, I do applaud Karakuri Circus for its expansive characters when it comes to diversity. While the anime adaptation suffers from rushed content, certain characters do make an impression. The Saiga family such as Shogi and Angelina are names that shouldn’t be forgotten easily during their arc. of the Midnight Circus has unique with a variety of personalities. Furthermore, some of the antagonists in the show have impactful influences such as the Faceless Commander in later episodes. Hell, the Bai brother are responsible for causing a major story plot in the show – the Zonapha Syndrome. Known for its deadly stages, this syndrome is one of the most important elements in the entire series. So despite the story being rushed, it’s hard to deny that certain characters had great influence in the overall tone of the plot. If only the anime adaptation devoted more time on the plot to be more fluid and tolerable. Too bad.

Founded in the August of 2014, studio VOLN had previously worked on Ushio and Tora. For its visual context, Karakuri Circus blends between old school art and new school. What I mean is that the show retains a style of the manga while also able to adapting it to modern standards. Character designs are crafted with precision and uniqueness. Every character seems to stand out on their own without feeling out of place. The most unique designs are the automatas, clowns, and circus acrobats. Many of the modern circus characters have a flamboyant look while the automata gives the impression of unique old school machines. Furthermore, I think praise should be given to the character expressions for being able to sell emotional content when it’s given the chance. The main characters such as Masaru and Narumi are prominent examples of this especially in early episodes. Later on, Shirogane’s emotions becomes much more apparent too. The bottom line is, VOLN managed to make a show that managed to live up to its visual expectations.

Karakuri Circus is honestly a mixed bag of sometimes being great at what it does and other times falling short. Anyone who have read the manga will recognize how much the adaptation decided to skip content to get the main story going. That itself is a mistake and is hard to fix. If you came in as an anime original viewer, this might not be such a sour experience. As for me, this was more or less an average anime that could have been much, much more.

Reviewer’s Rating: 5

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Jun 27, 2019

Kaidu-

Not Recommended

This is one of the worst adaptation to ever come out in recent memory. Not only it's a bad anime, but it's also an insult to the original manga by Fujita-sensei which is considered a classic in Japan.

Let's go over the biggest problem: it's rushed like hell.
How rushed? Well...
Imagine if you had to adapt JoJo part 5 into 13 episodes...
Or HxH into 24 episodes...
Or FMA into 16 episodes...
Or... Well, you get the idea.
The original manga is 43 volume long. This anime is 36 episode.
This means that even if they adapted a volume per episode, it wouldn't do ... it. So they had two choices: either cut whole volumes or cut small content. They choose both.

Now to the problems that this causes: it's a mess.
There is barely any characterization for the characters we are supposed to care about, and the character development is so sudden it makes no sense. Characters will do things that they would normally never do for no reason at all because of it.
The story also just keeps jumping nonstop from one point to another, dramatic moments will happen with no build-up whatsoever and sad songs will play at a sad moment that no one cares about.

Technically speaking, it's also ugly. Character movements are too stiff, actions scenes barely have any action and are just static shots of a character delivering an attack. Excessive post-effects are added to some scenes and they also look ugly (for example, the white bloom that is present through the whole hospital arc fight).

It also manages to have a terrible directing and editing. Characters will just stand somewhere or walk while talking with nothing happening on-screen (as in episode 4 when two character are talking on the side walk), some cuts are TOO SUDDEN (episode 13 cuts to the opening all of sudden almost as if it wanted to make a cliffhanger, but it just made it worse) and the narrative in general is really just too much simplified.

As I re-write this review, all of my points are still valid and the show has only gotten WORST. It's downright offensive to the viewers and to the original material.

There's not much too say. It's just a really bad and insulting show. A real waste of good source material.

TL;DR do yourself a favor and read the great manga

Reviewer’s Rating: 1

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